Four large colorful prints by Howard Hodgkin installed in the Luther W. Brady Art Gallery

Exhibitions

Exhibitions

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CURRENT EXHIBITIONS

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Man conducts at the top, in the foreground a man plays a sousaphone.
Image: Boris Ignatovich (Russian, 1899-1976), Composer Dmitri Shostakovich, from "Ignatovich, Soviet Avant-Garde", 1928, gelatin silver print, 16 H x 20 W in. Gift from the Trustees of the Corcoran Gallery of Art (Gift of Gail & Robert Carlsen in memory of Tom Ryan) (CGA.2004.26.01) © Boris Ignatovich

Cracks & Reforms 

The 1920s Through the GW Collection

August 26 - December 12, 2026

The 1920s emerged as a decade suspended between collapse and reconstruction, an era marked by “cracks and reforms” that ushered in a profound reconfiguration of the visual world. During this period marked by civil transformation and political upheaval, artists, journalists, and makers had opportunities to reconstruct both individual and collective identities. A century later, Cracks & Reforms presents a distinct cross-section of this period, revealing global currents of migration, modernization, and cultural redefinition through the lens of the GW Collection. Students led by Associate Professor Bibiana Obler selected works to study and exhibit, their research eventually leading to unified themes and a catalog designed by Corcoran graphic design students led by professors Sharmila Karamchandani and Aasawari Kulkarni.

 

 

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Sowei African Mask
Image: Once Known Mende carver [Mende, Sierra Leone], Sowei, 19th-20th century, wood, varnish, 16 H x 10 W x 10 D in. Gift of Stephen A. Spear, 1975 (P.75.2.30)

Unfossilizing African Art

August 26 - December 12, 2026

Presented after extensive research, this exhibition recontextualizes African material culture objects held in the GW Collection for nearly 50 years. Led by Assistant Professor Clement Akpang, 59 students from four seminar courses offered between Fall 2024 and Spring 2026, conducted original research to deepen understanding of the university’s holdings and update how we interpret and exhibit these objects. The exhibition features 37 tangible heritage objects, ranging from an Egúngún Paaka from Yorubaland to a Kii [brass pipe], attributed to the Baumum people of Cameroon, accompanied by images and video that illuminate their rich histories. Research on the entire collection is presented in an accompanying illustrated publication.

 

 

VIRTUAL EXHIBITIONS

 

Piranesi's Rome: Views of the Eternal City

Giovanni Battista Piranesi (1720-1778) was a Venetian artist renowned for his works depicting ancient Rome’s architectural marvels. As the son of a stonemason and master builder, Piranesi was destined to capture the grandeur and inevitable decay of Rome, and indeed, no one was better suited for this endeavor. Though Piranesi was born in Mogliano near Mestre, a borough of the commune of Venice, it was in Venice where he spent the first twenty years of his life studying architecture and stage design. He considered himself an architect, consistently signing his work “architetto.” He initially apprenticed under his uncle, receiving practical training in structural and hydraulic engineering. This very background in architecture set Piranesi’s work apart. 

Image: View of the Capitoline hill with the steps leading to the church of Santa Maria in Aracoeli (Veduta del Romano Campidoglio con scalinata che va alle Chiesa d'Araceli), from the series “Views of Rome,” c. 1750, etching on wove paper, Sheet/Page 21 7/8 H x 28 W in. Gift from the Trustees of the Corcoran Gallery of Art (Bequest of Frank B. Bristow), GW Collection (CGA.68.26.837)

 

Andy Warhol's Polaroids

Andy Warhol's photographs reflect his daily life including his travels, romantic partners, social outings, inanimate objects and preparations for commissioned portraits. This exhibition focuses on the concept of the Polaroid and black and white photographs by Warhol in the GW Collection.  If read as mirrors to Warhol’s internal struggles they give insight into his feelings about being a famous and profitable artist, struggles with his sexuality and his friendships. 

Image: Andy Warhol, Jon Gould, 1982, black and white photograph, 8" x 10". Gift of the Andy Warhol Foundation for the Visual Arts, 2008 (P.08.6.125) © The Andy Warhol Foundation for the Visual Arts, Inc. / Licensed by Artists Rights Society (ARS), New York

 

Concurring experiences: together, apart

Concurring Experiences: Together, Apart

An exhibition commemorating the one-year anniversary of the COVID-19 national lockdown, showcasing 27 works from the Corcoran Study Collection curated and researched by MA Exhibition Design class of 2022, Dr. Lisa Lipinski's "History of Exhibitions". Through the lens of finding and uplifting community in times of isolation, the show follows eight themes, each linked to calls-to-actions, social justice organizations, and mutual aid funds, hoping to uplift these missions with larger audiences and community.

 

HOME: Selections from the Corcoran Study Collection

This exhibition seeks to show many facets of home through photographic works recently returned to the Corcoran Flagg Building from works exploring Washington, D.C., the city many of us call home, to more intangible feelings of where we find comfort, to the idea of the Corcoran Flagg Building as a dedicated home for art.

Image: Richard Rodriguez, Chris's Room, 1979, dye coupler print (chromogenic) mounted on board, 9" x 11-1/2". Gift from the Trustees of the Corcoran Gallery of Art (Museum Purchase with the aid of finds from the National Endowment for the Arts, Washington, D.C., a Federal agency, and the Polaroid Corporation) CGA.1980.145 © Richard Rodriguez

 

PAST EXHIBITIONS